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Old 05-10-2007, 12:18 PM   #31 (permalink)
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Originally Posted by Uke View Post
What this article is doing is showing a side of the industry that none of you see. A side that many of you assume that you know about, but have no experience and no source of information to base your personal, unilateral opinions on.
But your opinion on this subject is more valid because you swallow some crybaby story about how the music industry exploits artists?
I guess your positive rap album was shelved by the executives at your label? What a crock just because someone happens to be stupid enough to sign away their artistic control you want me to blame the suits who "force" them into making this kind of music? cry me a river


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This article shows that while the artist is the one making the music, they may not be the ones who choose the type of music they make.
artistic control

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Once you're under contract, you are obligated to perform and produce under the terms of the contract.
once again this is why artistic control is a crucial element for anyone who actually gives a damn about their music. Too bad these wanna-be stars never spent 15 minutes in a library making an attempt to understand the industry they are enslaving themselves to.


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Many artists spend the front money before they ever begin recording, so they become slaves to the label. Its their own fault, but that doesn't change the message that this article brings.
You keep talking about being "forced" when as a matter of fact they probably line up to sign away their rights, boo hoo the poor victimized rap artist!
You really expect anyone to buy this crappy excuse?
It is their own fault for signing up to be puppets of the music industry!

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Originally Posted by Uke View Post
Once they begin recording, they are often told "They don't sound "Black" enough, or they don't sound urban enough. They are told to replace words like "Honeys", a word meant to refer to women, with bitches and ho's. Very few artists have creative control. And once the men who are worried about the numbers have creative control they will force artists to make what music they see fit and portray whatever images they feel will sell units.
Very few artists have creative control? That is because they have dollar signs in their eyes while signing the contract, it is called negotiation, whose fault is it that they didn't learn enough about the music industry to see how important that kind of control is, but hey if someone wants to sell out why are you crying about it? Oh yeah its not their fault they were "forced" into it

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Of course artists can say "Hey, I'm not going to do that".
and if in the recording contract that they were "forced" to sign, they retain total artistic control of their material no one can do a damn thing about it.


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Those artists are sued and financially ruined as they don't have the resources to fight signed industry contracts and lawyers. Most artists cannot pay back the money that they've spent and have no alternative but to fulfill the terms of their contracts. Its in the best interest for the Record execs to recruit talent from poor neighborhoods because 9 times out of ten they are desperate for money, and making music for millions of dollars sounds like a winning proposition to any poor person. Not only that, but in the beginning they feel as though they won't hurt anyone by simply making music. The Record execs don't always tell them that they will be molded into whatever incarnations that the numbers show will sell.
now the evil music executives are recruiting ignorant people just to make puppets out of them, well since this has been going on for 10+ years now you would think these "victims" being forced to "Ghettotize" their music would get the idea. But they really just don't give a damn or else they would make an effort to learn about the industry they plan on making a career out of.

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Is this removing the blame from the artists? No. Is this an attempt to say that the industry is trying to "Keep the Black man down"? No. Is this even an attempt to ask any of you for help? No.
Then what the hell is it?

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What it is however is an article full of facts and opinions from those in the industry who have been fighting for more positive messages and images in Hip Hop. There are instances highlighted in this article showing how new artists are made to portray strippers and so-called gangsters. This article provides evidence that not all rappers want to be gangsters or pimps, but the industry says that sells, so that is what they will promote.

If artist "A" makes a rap album that has positive messages and videos that aren't filled with gratuitous sex and violence, and because of that his entire project is shelved and doesn't see the light of day on the radio or concert, how do critics like you find out that there are positive artists and influences in hip hop? You don't. There are very few positive, mainstream Hip Hop icons. I say mainstream because there are tons of positive rappers, but they just don't ever make it to mainstream status.

So while the images seen today in the world of hip hop are largely those of pimps and so-called gangsters, the author of the above article wrote why those images are so largely disproportionate in terms of exposure. It didn't take a lot of brains to walk away with that impression. Just a willingness to read the article without preconceived notions and a need to equate this issue to a Black and White issue.

Many of the CEO's are Black. L.A. Reid is Black. Sean "Puffy" Combs is Black. Shawn "Jay-Z" Carter is Black. Russell Simmons is Black. Andre "Dr. Dre" Young is Black. Brian "Baby" Williams is Black.

Of course the majority of record execs are White as they have run the music business since the beginning, but the point is that it is less of a "Black or White" problem and more of a "exploitation of the artists" problem. Blacks can exploit people just like Whites can, so attempting to make this a case of "Whitey keepin' da Black man down" was just a few people's attempt to get a few biased rants off of their chests. I'm sure they've been holding it in for a long time and this article was just the excuse they needed to let loose. Taking this article out of context was just a safe, politically correct way of ranting without having a supposed cause.
then where are the albums done independently to help promote peace or stop drugs or the sexualization of women? You want to tell me that artists are bound for life by these contracts? You want to believe that they are controlled for life by this industry? You named a few rappers that are now producers, where are their positive albums or artists? I guess you make yourself believe this crap since you have refered to them as "slaves" stop fooling yourself, these artists could make sacrifices to put out the material you say is being suppressed, after their contract is up they could do anything they want but most just keep on putting out Thug & Ho music not because its what they know but because as you stated it is what sells.


Recording contracts are not for life and if any artists wanted to do a benefit album while under contract to help crack addicts or single mothers or hurricane victims their label would probably jump at the chance but you know what Uke?
They don't because they are just as guilty of wanting to making money from Thug & Ho music as the suits who "force" them into being "slaves" to the gangster rap image.

excuse me but I need a new box of tissues!

Last edited by GonzoStyles; 05-10-2007 at 12:22 PM. Reason: neede more tissues for the cry fest
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Old 05-10-2007, 12:22 PM   #32 (permalink)
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There are positive hip hop albums out there, you just don't hear about them. Now your being contentious just for the sake of contentiousness. . . . .
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Old 05-10-2007, 02:03 PM   #33 (permalink)
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Hee hee.

I'm part of "they" in that I tend to listen to all kinds of music, including hip hop, when I train. I'm not about to pull that old cop out and say "I just listen to the beat, not the lyrics." I can quote the lyrics of every rap song on my workout CDs. So I'm a consumer, too.

The only difference is, I don't presume to point fingers at "the Manufacturer" or anyone else.
The lyrics, beat and tunes create the mood, right. I'm a consumer as well but I don't actively try to emulate it either.

Every now and then a word will slip in but its more like "what's up brotha"
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Old 05-10-2007, 02:09 PM   #34 (permalink)
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Hee hee.

I'm part of "they" in that I tend to listen to all kinds of music, including hip hop, when I train. I'm not about to pull that old cop out and say "I just listen to the beat, not the lyrics." I can quote the lyrics of every rap song on my workout CDs. So I'm a consumer, too.

The only difference is, I don't presume to point fingers at "the Manufacturer" or anyone else.
You can train to hip hop without the derogatory lyrics.
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Old 05-10-2007, 03:04 PM   #35 (permalink)
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this is where real hip-hop is, despite the lamentations of rapper Paris in the article Uke quotes, the underground is alive and well.


anyone in Houston should tune in to 91.7 KTRU Rice radio
(KTRU.org in realaudio) tonight at 10pm for "the Vinyl frontier" the host DL has been giving Houston its weekly does of underground hiphop for years.
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Old 05-10-2007, 03:22 PM   #36 (permalink)
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I have seen young women who call each other bitch so often that I don't think that they know each other's name. Its all in the context.

If I say "That bitch is beautiful", its not insulting.

If I say "That bitch isn't worth the time of day", that is insulting.

More than not, the context of what is being said is what determines whether a word like "bitch" is insulting. But this isn't Ebonics 101, and the issue isn't about what is an exceptable term. We both know that there are plenty of things that we could say that he'd get slapped for, and not because of Black or White reasons either.

People from a different walk of life can sense when someone is smug and pretentious. You and I have Black, White and Latino friends who all speak the same. Its not what they say ... its how they say it. Its their demeanor and their intent. Its obvious when someone turns their hat backwards to fit in. They don't usually get slapped for what they say, but because of the fact that they had no business saying it in the first place.
I've heard women call each other bitches and hos as terms of endearment.
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Old 05-10-2007, 05:03 PM   #37 (permalink)
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I don't want you to blame anyone or do a thing.

You entire post is full of "might's", "maybe's" and "probably's" because you are working off of your own limited knowledge of how the industry works. I didn't post the article to argue its validity. It already makes solid points that no one can refute. That's why you have to assume a lot in order to try to make your points.

How many poor people do you know, GonzoStyles? How many of them would do practically anything for $1,000,000? People go on Fear Factor all the time and eat bugs and do risky stunts for money. People sell drugs for money. Women sell their bodies for money. Poor people, or people who have lost their way due to drugs or alcohol, are desperate. You may not understand that, but record execs do. They understand that 90% of their talent comes from a background that doesn't have the financial stability or freedom to turn down seven figures just to rhyme. This isn't an excuse. Its a reality.

When a man offers artists millions of dollars to make a record, most of them don't even have an independent lawyer review the contract. Most won't negotiate because the money already exceeded their expectations. Some artists have gotten wise and attempt to own their masters and want bigger percentages of sales, but all in all its the newbies that get trapped.

No one asked you to cry a river for them, GonzoStyles. These men make millions. They don't need your compassion or pity. This article was written to show a side of hip hop that people like you never see but all to often judge without having and real facts or insight. Its amazing to me that so many people consider themselves authorities on an entire culture after only buying a few CD's.

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Originally Posted by GonzoStyles
now the evil music executives are recruiting ignorant people just to make puppets out of them, well since this has been going on for 10+ years now you would think these "victims" being forced to "Ghettotize" their music would get the idea. But they really just don't give a damn or else they would make an effort to learn about the industry they plan on making a career out of.
This has been going on since radio and records were being mass produced in the USA. Its started with Blues. Then it carried over into Jazz. Then Bee-Bop. Then Rock and Roll. Then Hip hop. If you didn't know that exploitation of artists has been going on in this country for the last 90 years or so then you really are on the wrong topic.

Most people can learn all they want, but they still have to negotiate from a position of weakness because the label holds all the cards. Some artists are special, and their talent and act is so obviously great that labels will listen to their demands because they know other labels are dying to get them. But if you are just a low-key artists who makes a lot of sense without flash or a gimmick, the interest won't be there. Therefore, the opportunities won't either. People do shop around before they sign, but many times they sign with the lesser evil if the money is still right.

The underground is indeed alive and well, but there's no real money in the underground. You may not know that, but any real fan does. Any real artist does. Its not mainstream where they get airplay. You won't see their poster hanging in Tower Records. These men do it for the love of music and that's fine and admirable. But there are still poor artists who will gladly sign on the dotted line to to get that kind of cash just to live an easier life.

But don't boo hoo for them, GonzoStyles. They are living a lot more comfortably than you.
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Old 05-10-2007, 06:04 PM   #38 (permalink)
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Uke first off don't start assuming anything about me because it makes you look like an ass.

I am not going to go into my life history with you just to get a "Ghettocard", I can validate my opinions without it

but put it this way I can remember as a kid when crack hit my neighborhood off Tidwell in Houston and convienance stores started stocking up on
"Brillio pads"

I know what a "You buy we fry" fish market is all about Uke do you?

I remember shopping at the day old bread market with my grandmother for me my sister and my 2 cousins that lived at her house, ever done that Uke?

So am I Ghetto enough to comment on urban society in America now?


and yes there is a trade off if you decided to go independent, the odds are you wont make millions, or any of that other crap, but at least you can sleep at night knowing you stayed true to yourself instead of being a "Slave" who was "forced" to "ghetto" up his lyrics.


All the victimization of artists you talk about is avoidable thanks to digital recording technology,and creative control.

In this modern age if an artist of any genre signs away his creative control they only have themself to blame. Artists have been taking control of the means of production since day one.

Now with digital recording technology you don't need a super label just to get into a studio and get a good recording, with the internet you don't even need a distributer you can sell your music online. So don't act like you have an insight into the industry if you don't know whats REALLY going on Uke.

Your just still making excuses and I am still punching holes in them.
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Old 05-10-2007, 06:23 PM   #39 (permalink)
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I've heard women call each other bitches and hos as terms of endearment.
I wish they wouldn't.

Words are powerful, no matter what the intent.

One of my teacher said this to some city kids he was training once: "I am not a dog. And I advise you not to call my daughter a bitch."
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Old 05-10-2007, 08:03 PM   #40 (permalink)
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Medic,
Despite assertions to the contrary, I find it extraordinarily difficult to even find hip hop without derogatory lyrics. The stuff that bleeps out the derogatory lyrics is just all kinds of disjointed, but it is what I tend to train to most.
That's kind of the whole point of the thread. There is positive hip hop out there but it doesn't get much play because the gansta rap BS gets shoved down everybody's throats.
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Old 05-10-2007, 09:42 PM   #41 (permalink)
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Uke first off don't start assuming anything about me because it makes you look like an ass.

I am not going to go into my life history with you just to get a "Ghettocard", I can validate my opinions without it

but put it this way I can remember as a kid when crack hit my neighborhood off Tidwell in Houston and convienance stores started stocking up on
"Brillio pads"

I know what a "You buy we fry" fish market is all about Uke do you?

I remember shopping at the day old bread market with my grandmother for me my sister and my 2 cousins that lived at her house, ever done that Uke?

So am I Ghetto enough to comment on urban society in America now?


and yes there is a trade off if you decided to go independent, the odds are you wont make millions, or any of that other crap, but at least you can sleep at night knowing you stayed true to yourself instead of being a "Slave" who was "forced" to "ghetto" up his lyrics.


All the victimization of artists you talk about is avoidable thanks to digital recording technology,and creative control.

In this modern age if an artist of any genre signs away his creative control they only have themself to blame. Artists have been taking control of the means of production since day one.

Now with digital recording technology you don't need a super label just to get into a studio and get a good recording, with the internet you don't even need a distributer you can sell your music online. So don't act like you have an insight into the industry if you don't know whats REALLY going on Uke.

Your just still making excuses and I am still punching holes in them.
This wasn't about being ghetto, GonzoStyles. Only a fool thinks that being poor makes you qualified to discuss the business aspect of the music industry. Its about having experience in the music industry to know what goes on so that you don't have to make assumptions like you've been doing. So save your "good ole days" stories for someone interested in hearing them. I'm discussing the article.

Next, digital recording technology will never be able to compete with the money that the big labels offer. It also isn't the same quality of production that the labels have access to. And selling your music online isn't the same as having your own street team and the right connections at radio stations nationwide to have your single played in heavy rotation.

There are many underground artists who have incredible skills that wind up producing mediocre music because they do it themselves.

What are you punching holes in, GonzoStyles? Truthfully, if what you say is true then the majority of artists wouldn't be in the predicament that they are in. If it were as cut and dry as you put it, then everyone who finds themselves in these situation must be extremely stupid, despite many artists being college educated.

You can argue your opinions, but you haven't argued the message in the article. You're not even on the same page as the rest of the discussion. The article doesn't excuse anyone from blame. It points out the fact that the "Gangsta" image in hip hop is largely due to what execs feel will sell. In the end, the execs have the creative power to make music violent and and profane, and they use it.

The execs exercise the right to do this despite the protests of the artists.

People like you view anything but your cut and dry assumptions as excuses. If it were that cut and dry the problem wouldn't be as big as it is. If it were so easily solved by what you say, then why not make millions as an artist advocate, who prevents artists from getting exploited? You won't because you can't because in the end, you don't have enough knowledge. You working off of your own ideas instead of working off of the reality of the situation.
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Old 05-11-2007, 04:52 PM   #42 (permalink)
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Horseshit.

It isn't being "shoved" down anyone's throats. People are making the choice to buy it!

Again, it's about personal accountability. If more people wanted "clean" hip hop, it would be sold in dump truck-loads. Blame the industry if you want, but supply really does follow demand.

Now you want to argue over a technicalities. . . . OK it's not being shoved down your throat.
You say you want clean hip hop, but you can't find it? Well I say horseshit to you too buddy! It's already been pointed out that it's out there.
You're being contentious for the sake of contentiousness.
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Old 05-11-2007, 08:22 PM   #43 (permalink)
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its funny how blatantly some of the people on this thread are in here totally fronting about how words are powerful and whatnot when in a different thread they thought i was wrong to be offended by racial slurs and even stood up for the person using them.
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Old 05-12-2007, 07:38 AM   #44 (permalink)
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its funny how blatantly some of the people on this thread are in here totally fronting about how words are powerful and whatnot when in a different thread they thought i was wrong to be offended by racial slurs and even stood up for the person using them.
Well, what can you say? This whole forum is steeped in hypocrisy. . . .
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Old 05-12-2007, 10:24 AM   #45 (permalink)
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Dick" its funny how blatantly some of the people on this thread are in here totally fronting about how words are powerful and whatnot when in a different thread they thought i was wrong to be offended by racial slurs and even stood up for the person using them.
**** you!
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