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Interesting article about Pro wrestling connection with MMA

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  • Interesting article about Pro wrestling connection with MMA

    A lot of you are probably already familiar with this history, but for those who aren't, its an interesting read.

    The Japanese Pro-Wrestling /
    Reality Based Martial Art Connection
    by Sam Chan
    Copyright © 1997-1998 by Sam Chan. Originally published by NECAF.
    Based in part on research by Hisaharu Tanabe.

    Mention the words "professional wrestling" in the United States and most martial artists will picture in their minds bad acting, ridiculous costumes, and cartoon like tactics such as jumping off the top rope. Certainly, they will not equate it with practical fighting techniques much less the relatively new reality based martial arts competitions. However, the situation in Japan is quite different and can be, to the outside observer, quite confusing. In Japan, the line between the new reality based martial arts competitions and professional wrestling is blurred. Japanese magazines such as BASEBALL SHA and TV shows such as CHAMPION'S CORNERM mix "shoot" organizations such as Pancrase, shooto, SAW and RINGS in with it coverage of mainstream "worked" pro-wrestling organizations such as the WWF, WCW and ECW.

    In fact, there is significant cross over in Japan between the two seemingly unrelated groups. All of the important individuals in these "shoot" organizations began in the "worked" All Japan Pro-Wrestling organization. They have also frequently stepped back into the world of Pro-Wrestling. Important figures such as Akira Maeda and Satoru Sayama have periodically returned to engage in "worked" matches. While many focus upon Brazil, the Gracie family and their Jiu-Jitsu when talking about the development of realty based martial arts competitions, there is another story to be told. That story is how "worked" professional wrestling in Japan also developed into a legitimate sport.

    It is important to remember that professional wrestling wasn't always the circus it is today. In the past, there were men who dedicated themselves to the very real tradition of wrestling and engaged in completely real professional bouts. Furthermore, this wrestling was not the collegiate, free style or Greco-Roman wrestling we see today. It was submission wrestling, using techniques these men called "hooks". If you are interested in what real wrestling was I strongly recommend two books; COMBAT SPORTS IN THE ANCIENT WORLD by Michael B. Poliakoff and WESTERN BOXING AND WORLD WRESTLING by John F. Gilbey. In the works is also a book on the many traditions of wrestling by Robert W. Smith. That book, more than 20 years in the making, is eagerly awaited by this author!

    These real submission wrestlers, called "hookers" by those in their trade, were the sort of en who sought real challenges and were not afraid to learn anything. Of course, this lead to cross pollination of wrestling styles. European styles mixed with Russian, Indian, Chinese and Japanese styles. There were also many style vs. style matches. In this way, the Japanese became aware of the European traditions.

    In 1914, the World Light Heavyweight Champion Ad Santel defeated Tokugoro Ito, a 5th degree black belt in judo, in a jacket match. Because Ito had claimed to be a "Japanese judo champion", after the match Santel claimed to be the "World Judo Champion." This apparently embarrassed the founder of judo, Professor Kano. In response, Professor Kano sent another challenger, 4th degree black belt Daisuke Sakai, to defeat Santel. However, Santel also defeated Sakai.

    The challenge matches continued in 1921. In March, Ad Santel challenged the Kodokan to disbute his claim as "World Judo Champion". In the first match, Santel defeated 5th degree black belt Reijiro Nagata by TKO. Santel then drew with 5th degree black belt Hikoo Shoji after fighting for 60 minutes. Based upon these performances, the Japanese became fascinated with the European style of submission wrestling. Given the first opportunity, Japanese wrestlers would flock to learn the secrets of European "hooking".

    Two western wrestlers, who as it happen were also two of the greatest western wrestlers ever, had a direct impact upon the Japanese. Lou Thesz is considered by many the greatest "hooker" of his century. Thesz was trained by wrestling legends such as George Tragos, Ed "Strangler" Lewis ("Judo" Gene LeBell's teacher as well), and Ad Santel and won the NWA, the so-called "Undisputed World Heavyweight Championship" in 1948. He was the first "world heavyweight champion" to step onto Japanese soil. Today, the Japanese still consider this belt the most important belt in wrestling and the UWFi used the actual belt donated by Thesz.

    The second great western wrestler was Karl Gotch. Karl Gotch received his training at the famous "Snake Pit" Billy Riley Gym in England and won a number of big tournaments in Europe before moving to the United States in 1959. However, Gotch was not treated well in the United States since he was simply a "shooter" (by this time, pro-wrestling in the United States had already deteriorated and consisted mostly of "works") and many were afraid of his "hooks". In contrast, in Japan people considered Karl Gotch the "the God of Pro-Wrestling".

    Both wrestlers, but particularly Karl Gotch, enjoyed the admiration they received in Japan and were impressed by the interest of Japanese wrestling stars in European "hooking". Eventually, Gotch taught this tradition, also referred to as "shooting", to a group of Japanese professional wrestlers including Antonio Inoki, Tatsumi Fujinami, Yoshiaki Fujiwara, Satoru Sayama (the "Tiger Mask"), Masami Soranaka and Akira Maeda. What is interesting to note is that most of these professional wrestlers already had backgrounds in legitimate martial arts. Masami Soranaka had been a student of "hard core" karate, kodokan judo and sumo. Yoshiaki Fujiwara was already a Muay Thai fighter and black belt in judo. Satoru Sayama had studied Muay Thai with Toshio Fujiwara, and went on to study Sambo with Victor Koga. Thus, the ground was fertile for the development of new hybrid methods.

    While many people have been critical of Antonio Inoki, saying his wrestling skills were weak and noting (correctly) that he was a "work" fighter, he should receive credit for introducing the idea of mixed style matches. Beginning in 1976, Inoki staged a series of mixed matches against fighters of other sports including Willem Ruska (judo gold medalist in the Olympic games in Munich), Chuck Wepner (a tough club boxer) and Willie Williams (world kyokushin karate champion). Of course, the most famous of these was the Antonio Inoki vs. Muhammad Ali match.

    Stories vary about whether this was originally supposed to be a "shoot" or a "work" but apparently Ali's camp feared Inoki would try to turn it into a "shoot". It was publicly announced that Inoki was not allowed to use any suplex or submission moves. The result was a 15 round time limit draw, arguably the most boring match in history.

    Anonio Inoki's mixed style matches and his pro-wrestling organization's incorporation of many martial arts techniques (notably low kicks and judo/jiu-jitsu submissions) began to interest many of the wrestlers into creating an even more realistic style. On April 10, 1984 Akira Maeda, Rusher Kimura, Ryuma Go, Mach Hayato, and Gran Hamada formed the original UWF, Universal Wrestling Federation. The UWF promoted a "stiff" style of wrestling. The matches remained "worked" but all the strikes and submissions were delivered with full force. Based upon the already existing pro-wrestling tradition, matches were set up with hand signals, body movements, and even talking. However, the UWF was particularly good at setting up matches with very few cues.

    The "stiff" style can appear quite realistic to those unfamiliar with it. Matches would end only when one fighter was either KO'd legitimately or decided to stop fighting a submission and gave up. If the pre-determined loser had the pre-determined winner in a tight submission, he would simply release the hold or loosen it up. A few months after the creation of the UWF, Satoru Sayama (who had gained success as the original Tiger Mask in New Japan Pro Wrestling), Yoshiaki Fujiwara and Nobuhiko Takada (who had begun training in "hooking" with Lou Thesz) joined the organization. They moved the UWF in an even more realistic direction. In fact, a few real matches were arranged between UWF wrestlers and outsiders such as boxers or sumo players.

    The original UWF lasted a little more than a year. During a Akira Maeda-Satoru Sayama match on September 2, 1985 Maeda intentionally kicked Sayama in the groin. Those who observed the match say it quickly became 100% "shoot" as Sayama tried to KO'd or choke Maeda in retaliation. After the match, Maeda was fired but the event also revealed that many wrestlers were unhappy with Sayama as well. On September 11, the UWF held its last card at Kourakuen Hall.

    With the end of the first UWF, Satoru Sayama attempted to establish his own gym and create a new organization. By 1987, Sayama was able to establish Shooto, a completely realistic and legitimate organization with no "worked" fights. Sayama also introduced true NHB to Japan, organizing the Japan Open Vale Tudo and bringing Rickson Gracie to fight.

    Others returned to traditional "worked" pro-wrestling. Maeda, Nobuhiko Takada, and Yoshiaki Fujiawara, returned to Antonio Inoki's New Japan Pro-Wrestling organization under the guise of an interpromotional UWF-New Japan feud. However, the situation was short lived. On November 27, 1987 Akira Maeda once again intentionally kicked a wrestler, this time Riki Choshu. The kick, aimed at the face, broke three bones and Maeda was eventually fired, when no wrestler wanted to work with him, in March 1988.

    In April, Maeda and Nobuhiko Takada announced that they would start a new UWF. The new UWF limped along without either Satoru Sayama or a young charismatic star. However, in April 1989 Akira Maeda reached an agreement with Antonio Inoki to let Masaharu (Masakatsu) Funaki and Minoru Suzuki leave New Japan for the UWF. Maeda personally trained Funaki and Suzuki in the UWF's "stiff style" wrestling and the group began to thrive with the addition of the two young wrestlers. Later, Maeda also acquired and trained two American wrestlers, Bart Vale and Wayne (Ken) Shamrock.

    The UWF reached its peak with their "Atlantis" show at the Tokyo Dome on October 25, 1990. The card featured Akira Maeda vs. Masakatsu Funaki and Nobuhiko Takada vs. Yoshiaki Fujiwara as well as Yoji Anjoh and Wayne (Ken) Shamrock in individual bouts. Unfortunately, the UWF continued to have internal problems and on December 1, 1990 UWF President Shinji Jin announced that all wrestlers were fired and disbanded the promotion. This resulted in the creation of three separate and very different organizations in March 1991.

    Akira Maeda responded by creating RINGS, an organization which is said to be approximately 60% "worked" but which uses a lot of Russian Sambo fighters and Muay Thai style kickboxers. Among the more notable names recruited are the American Maurice Smith, Dutch fighters Dick Vrij and Peter Aerts, and Russian Sambo fighters Volk Han, Andrei Kopylow and Nokolai Zouev. In recent years, RINGS has also promoted reality based martial arts competitions using Brazilian Jiu-Jitsu fighters.

    Yoshiaki Fujiwara formed the Professional Wrestling Fujiwaragumi (PWFG) with the support of Masakatsu Funaki, Minoru Suzuki, Yusuke Fuke and the American Bart Vale. The PWFG was, like the original UWF, a "stiff style" wrestling organization with worked matches. The next year, Bart Vale would become the PWFG champion and would hold the title for close to three years. Having an American as champion brought some attention to the PWFG. In addition, Bart Vale promoted the PWGF in America as a legitimate, "no holds barred" organization. In the United States, Bart Vale has also created the International Shootfighting Association (ISFA).

    Shortly after the formation of RINGS and the PWFG, Nobuhiko Takada formed the Union of Wrestling Forces International (UWFi), using the remaining UWF talent. Takada succeeded in getting Japan Satellite Broadcasting (WOWOW) to became the new UWFi's sponsor. Takada also created legitimacy for his new organization by using the original NWA belt, donated by his mentor Lou Thesz, as the official UWFi championship belt.

    In 1992, Wayne (Ken) Shamrock left the UWFi to briefly join the PWFG. He then united with Masakatsu Funaki, Minoru Suzuki, and Yusuke Fuke to form the Pancrase organization. Led by Masakatsu Funaki, they claimed to be looking to establish a wrestling organization that was 100% "shoot". Pancrase had their first show on September 21, 1993. In December 1994, Wayne (Ken) Shamrock became the first King of Pancrase, defeating Funaki in semi-final and Manabu Yamada in final. However, to establish themselves and sell tickets, early Pancrase matches were frequently "stiff style" with pre-determined outcomes. Recently, Pancrase matches have become more legitimate.

    Despite the prevalence of "worked" matches, most Japanese wrestlers considered what they did to be "real". They believed their techniques were valid and that they were good fighters. The same month Wayne (Ken) Shamrock captured the King of Pancrase title, UWFi wrestler Yoji Anjoh traveled to Los Angeles to challenge Rickson Gracie. Unfortunately for Anjoh, Rickson Gracie brutally defeated him in around 3 minutes. The defeat raised questions about the impact of "worked" matches and led some wrestlers in organizations such as RINGS and Pancrase to call for more "shoot" matches.

    The blurred line between "shoot" organizations and mainstream "worked" (and quite ridiculous) wrestling was once again demonstrated in 1995 when the magazine BASEBALL SHA sponsored an interpromotional event at Tokyo Dome. Wrestlers from "shoot" organizations like RINGS, Pancrase, UWFi and the PWFG appeared on the same card as wrestlers from New Japan, All Japan, FMW, and IWA Japan. Later that year, New Japan Pro-Wrestling promoted a New Japan vs. UWFi card with a record-breaking crowd of 67,000. In main event, Keiji Mutoh defended the IWGP heavyweight title against Nobuhiko Takada.

    By combining with New Japan Pro-Wrestling, the UWFi scucessfully rebounded after nearly going out of business early in 1995. Nobuhiko Takada's "winning" of the IWGP title (the match, like all New Japan bouts was a mainstream pro-wrestling "work") helped save UWFi financially. However, in the view of some fans it compromised the UWFi's "stiff style" reputation. Lou Thesz, upset by the blatant mixing of the two styles, asked Nobuhiko Takada to vacate his UWFi title. Takada complied and subsequently established a new organization called Kingdom.

    The creation of Pancrase in 1993 deprived the PWFG of four of their major stars and in the following years the organization started having fewer and fewer shows. In an effort to finance the organization, Yoshiaki Fujiwara once again appeared on mainstream "worked" professional wrestling shows for New Japan. The appearances further undermined the image of the promotion and did not provide the necessary funds. On November 19, 1995 the PWGF folded. All of its members, with the exception of Yoshiaki Fujiwara, left the Fujiwaragumi and formed "Battle arts."

    The current situation remains rather blurred. The Shooto organization has lost Satoru Sayama (who has returned to mainstream "worked" pro-wrestling for financial reasons) but remains 100% "shoot". Pancrase appears to have evolved into a "shoot" organization as well. However, they have lost their major star, Wayne (Ken) Shamrock, to the WWF. RINGS remains approximately 60% "worked" with a few reality based martial arts matches on its cards. Akira Maeda participates in both RINGS matches and the occasional mainstream "worked" match for New Japan. Nobuhiko Takada's Kingdom organization continues to promote the "stiff style" but yet Takada has faced Rickson Gracie in a reality based martial arts match and two Kingdom wrestlers were in a recent UFC tournament. There is another "shoot" organization called SAW (submission arts wrestling). Unfortunately, I have no information at this time about either SAW or "Battle arts".





  • #2
    To much time man,to much time.

    Comment


    • #3
      Shut up martial artist!

      Comment


      • #4
        Why??I know its not cause your telling me.

        Comment


        • #5
          Ducthboy.......PISS OFF?

          Comment


          • #6
            Clgay" gay artist" Gayland SHut up!!!

            Comment


            • #7
              ttt

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              • #8
                very interesting, gives us a better perception on the origins of "works" in MMA in Japan.
                Thanks!

                Comment


                • #9
                  Cool post - I used to try and post stuff like this back when Takada and Sakuraba first hit the scene to hopefully clear up a few misconceptions. Everyone assumes that wrestling over there is just like here, with characters like Hogan and Savage, but it's not even close.
                  For those who care - RINGS is actually almost totally legit these days. There are still a few works thrown in here and there (mainly old worker mainstays), but all of the internationall events, KOK fights, and the vast majority of house events are completely real. I think they realized that much of their talent pool actually had the ability to go legit (like Mikhail, Kanehara, Tamura, Kopylov, Fyeet, Vrij, Haseman, etc.), so they just went with it.
                  BattleArts is now a very odd promotion. Some of their stuff is really stiff and extremely legit looking (that's where guys like Otsuka have come from), but other stuff is cross promoted with FMW, and is high flying Lucha Libre stuff, and even "Death Match" style on occasion.

                  Later,

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